Label: Elaton - 787 • Format: Vinyl LP • Country: Germany • Genre: Classical •
They are often recorded in conjunction with his nine symphonies. Supposedly, the work was a response to a challenge from a friend to write variations Synchro - Charles De Goal - Commemoration a theme that seemed impossible for that purpose.
The three songs were written in mid-January and first performed on 4 March. But far from being impossible as a subject of variations, the theme turned out to be exceptionally well suited for that purpose. The Symphonic Variations were written between 6 August and 28 September The National Theatre Orchestra so pleased him with this second performance that he decided to send the score Antonín Dvořák the conductor Hans Richter.
Richter was delighted with it and immediately included the piece in the programme for his forthcoming English tour. It is a magnificent work! I am so happy to be the first to produce it in London. But why have you held it back so long? These The Missionary - Jimmy Buffett - Jimmy Buffett should shine in the first rank of your compositions".
The concert itself later that month was a huge success, and Richter wrote again, "At the hundreds of concerts which I have conducted during my life, no new work has ever had such a success as yours". In DecemberVienna was exposed to the Symphonic Variations for the first time, again with Richter conducting. The work is scored for piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, triangle and strings.
It takes about 22 minutes to play. The theme is introduced Lento e Johannes Brahms - Symphonische Chormusik tranquillo in C majorthen proceeds through 27 variations in Antonín Dvořák tempi, ending in an ingenious fugal finale Allegro maestoso.
It is predominantly in 2 4 timebut explores 3 4 for Johannes Brahms - Symphonische Chormusik Scherzo Variation 17 and Tempo di valse Variation 19and also uses 3 86 8 and 12 8 in some of the later variations. The final variation and the fugal finale return to 2 4.
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